Charlotte Prodger (b.1974) lives in Glasgow and is represented by Hollybush Gardens and Koppe Astner. Solo shows include Subtotal, Sculpture Center, New York (2017); BRIDGIT, Hollybush Gardens, London (2016); Kunstverein Düsseldorf (2016); 8004-8019, Spike Island, Bristol (2015); Nephatiti, Glasgow International (2014); Markets with The Block, Chelsea Space, London (2014) and Percussion Biface 1-13, Studio Voltaire (2012), London. Group shows and screenings include Lichtspiele, KW Institute for Contemporary Art, Berlin (2017); British Art Show 8 (2016); Weight of Data, Tate Britain, London (2015); The Secret Life, Murray Guy, New York (2015); An Interior that Remains an Exterior, Künstlerhaus Graz (2015); Assembly: A Survey of Recent Artists’ Film and Video in Britain, Tate Britain (2014), Holes in the Wall, Kunsthalle Freiburg (2013) and Frozen Lakes, Artists Space, New York (2013). Performances include Orange Helvetica Title Sequence, NY Book Art Fair, MOMA PS1 with Bookworks (2014); Fwd: Rock Splits Boys, Café Oto, London, with Electra and Re: Re: Homos and Light, Artists Space, New York, collaboration with Mason Leaver-Yap (both 2013). Charlotte Prodger won the 2014 Margaret Tait Award and was shortlisted for the 2017 Jarman Award. She has forthcoming solo shows at Tramway, Glasgow and Bergen Kunsthall and a project with If I Can’t Dance I don’t Want to be Part of Your Revolution, Amsterdam.