Archive 2017-18

Th­­­­e Producers Part II: New Positions on Curating Talk 3

  • Venue: Fine Art Lecture Theatre
  • Start: Tue, 08 May 2018 17:15:00 BST
  • End: Tue, 08 May 2018 19:00:00 BST

Th­­­­e Producers Part II: New Positions on Curating, in collaboration with Art Monthly and the newly reopened Hatton Gallery.

Achim Borchardt-Hume and Paul Goodwin chaired by Laura Sillars

Members of the University and the public are warmly invited to attend

Achim Borchardt-Hume, Director of Exhibitions and Programmes at Tate Modern.Borchardt-Hume joined Tate Modern as Head of Exhibitions in November 2012. He is the Curator of The EY Exhibition Picasso 1932 – Love, Fame, Tragedy. His recent projects include Robert Rauschenberg, Alexander Calder: Performing Sculpture and the first major Malevich retrospective in the UK. Chief Curator of the Whitechapel Gallery from 2009-2012, he curated exhibitions and projects by Zarina Bhimji, Mel Bochner, Giuseppe Penone, Walid Raad and Wilhelm Sasnal. Previously, Borchardt-Hume was a Curator of Modern and Contemporary art at Tate Modern from 2005-2009 where he curated several exhibitions including Rothko (2008) and Albers and Moholy-Nagy (2006). In 2012, Borchardt-Hume organized Gerhard Richter's first exhibition in Lebanon at the Beirut Art Center. He also contributed to Gerhard Richter: Panorama, the catalogue accompanying the artist's retrospective at Tate Modern in 2011. German-born Borchardt-Hume holds a Ph.D in Art History and Theory from Essex University on art and politics in Fascist Italy.

Paul Goodwin is a curator, writer and urban theorist.Goodwin is currently based at University of the Arts London where he is a professor of contemporary art and urbanism and Director of the Transnational Art, Identity and Nation Research Centre (TrAIN).
Goodwin’s curatorial, research and writing projects extend across the fields of contemporary art, urbanism, and curating, with a particular focus Black British, African and diaspora artists and visual cultures. He was a curator at Tate Britain from 2007-2012. International exhibitions he has curated or co-curated include: Thin Black Line(s) (with Lubaina Himid), 2011 and Migrations: Journeys Into British Art, 2012 , London, Tate Britain; Coming Ashore, 2011, Berardo Collection Museum in Lisbon, Portugal; Transfigurations, Museum of Contemporary Art Barcelona MACBA, Spain 2014;Chloe Dewe Mathews: In Search of Frankenstein, 3-D Foundation Sculpture Park, Verbier, Switzerland 2017 and British Library, London, UK 2018.

Laura Sillars (chair), currently artistic director at Sheffield’s Site Gallery, has been appointed director of Middlesbrough Institute of Modern Art (MIMA). Laura has been Artistic Director at Site Gallery since 2010, she has worked in contemporary visual art for 15 years at Tate Liverpool, FACT and Artangel and as a member of the curatorial teams of the Liverpool Biennial, Abandon Normal Devices and Art Sheffield. She produced Artangel’s first US commission, a major new work with Mike Kelley and worked on major solo-shows with artists such as Pipilotti Rist, Nam June Paik and Eva and Franco Mattes. Founding Chair of Sheffield’s Culture Consortium, which now guides the city’s cultural strategy, she has extensive fundraising and project management experience. She is a member of the Advisory Board of the AHRC.


The Producers Part II: New Perspectives on Curating is funded by Newcastle University, devised by Uta Kögelsberger (Newcastle University) and Chris McCormack (Art Monthly), with the generous support and input of staff at the Hatton Galley, the School of Arts and Cultures, Newcastle University and Art Monthly. 

Part II: New Perspectives on Curating brings together curators, writers and artists to examine how curatorial practices have responded to significant changes in the art world. The talks will address issues such as, the fallout of an increasingly globalised art world; the growing significance of the role of collectors; the reshaping of public sector art economies and the ways in which the development of new technologies has redefined how artworks are made, understood and disseminated.

Upcoming Talk Programme for Summer term 2018

5.15pm,16th of May
Martin Clark, Director, Camden Arts Centre, London, and Mason Leaver-Yap, Associate Curator, Kunstwerke, Berlin

 

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