Jeremy Millar is an artist and senior tutor at the Royal College of Art, London. He works with a number of media — most notably video, photography, and sculpture — and is interested in history and what happens when one activates it.
Recent group exhibitions include 'The Other Dark: Tacita Dean, Jeremy Millar, and Nashashibi / Skaer', Sirius Art Centre, Cobh (2017); ‘material / rearranged / to / be’, collaboration with Siobhan Davies Dance, Barbican Curve (2017, touring to Tramway, Glasgow; Whitworth Art Gallery, Manchester; Bluecoat, Liverpool); Jakarta Biennale (2015); ‘Curiosity: Art and the Pleasure of Knowing’, Turner Contemporary; then touring to Norwich and Amsterdam. Curated by Brian Dillon (2013); ‘The World is Almost Six Thousand Years Old’, The Collection, Lincoln. Curated by Tom Morton (2013); recent solo exhibitions include 'M/W', Museum Stzuki, Lodz (2014); 'XDO XOL', Whitstable Biennale (2014); ‘Mondegreen’, Project Arts Centre, Dublin(Collaborative two-person exhibition with Canadian artist, Geoffrey Farmer, 2011); ‘Resemblances, Sympathies, and Other Acts’, CCA, Glasgow (2011).
He conceived the exhibition 'John Cage: Every Day is a Good Day' — the largest on the composer's visual art — which opened at Baltic in 2010 before touring the UK. He has curated other exhibitions internationally, and has contributed to numerous publications, books, and catalogues.