Bibliography

Bibliography for Expanded Interiors

 

Adams, G.W. 2006. The Suburban Villas of Campania and their Social Function. Oxford.

Allison, P.M. 2004a. Pompeian Households: an Analysis of the Material Culture. Los Angeles.

Allison, P.M. 2004b, 12 October. Pompeian Households: an Online Companion. http://www.stoa.org/projects/ph/home.

Antico Gallina, M., Castelletti, L., Mottella, S., Legrottaglie, G., Azuma, M. and Antonini, A., 2011. Archeologia del legno. Uso, tecnologia, continuità in una ricerca pluridisciplinare (pp. 1-355). EDUCatt

Ascione, G.C. and Pagano, M., 2000. L'Antiquarium di Ercolano. Electa Napoli.

 

Barrett C. E., 2017. Recontextualizing Nilotic Scenes: Interactive Landscapes in the Garden of the Casa Dell’Efebo, Pompeii." American Journal of Archaeology 121, 2: 293-332.

Bergmann, B. 2002. “Playing with Boundaries: Painted Architecture in Roman Interiors.” In The Built Surface: Architecture and the Pictorial Arts from Antiquity to the Enlightenment,

ed. Christy Anderson, 15-46. Burlington, VT.

Bischop, C. 2005. Installation art: a critical history. London: Tate.

Blazeby, M. 2007. The Skenographia Project. http://www.skenographia.cch.kcl.ac.uk/

Bodel J. e S.M. Olyan (eds.) 2008. Household and Family Religion in Antiquity. The Ancient World: Comparative Histories, Oxford.

Böhme, G. 2006. Architektur und Atmosphäre. München, Wilhelm Fink Verlag

Böhme, G. 2013. Atmosphäre. Essays zur neuen Ästhetik. Suhrkamp

Borriello, M. 2008. Gentes. Ritratti romani di Ercolano. Guidobaldi, M. P. (ed.). Ercolano: tre secoli di scoperte. Milan, 81-85

Bragatini, I. 1990a. “1.6.2. La casa del Criptoportico.” In Pompei: pitture e mosaici, 193-277.

Vol. 1, Regio I part 1. Rome.

Brett, D. 2005. Rethinking Decoration: Pleasure and Ideology in the Visual Arts. Cambridge.

Budetta, T. and Pagano, M. 1988. Ercolano: legni e piccoli bronzi. CETSS.

 

Camardo, D. and Notomista, M. (eds.) 2018. Ercolano 1927 – 1961. L’imresa archeological di Amedeo Maiuri e l’esperimento della città museo. Rome: Bretschneider

Catalano V. 2002. Case, abitanti e culti di Ercolano, Rome.

Catalano, V. 1957. Antiquarium Herculanense. Naples.

Chambers, E., Orchard, K (editors) 2013. Schwitters in Britain. London      

Clarke, J.R. 1991. The Houses of Roman Italy, 100 BC-AD 250: Ritual, Space, and Decoration. Los Angeles.

Clarke, J.R. 2005. “Augustan Domestic Interiors: Propaganda or Fashion.” In The Cambridge

Companion to the Age of Augustus, edited by K. Galinsky, 264-278. Cambridge.

Clarke, J.R. 2007. Looking at laughter: humor, power, and transgression in Roman visual culture, 100B.C.-A.D. 250. Berkeley: University of California Press.

 

De Carolis, E. 1997. “La Casa de Criptoportico.” In Pompeii. Picta Fragmenta. Decorazioni

parietali dalle cittá sepolta, edited by P. Guzzo, 74-75. Torino

De Carolis, E. 1998. I legni carbonizzati di Ercolano: storia delle scoperte e problematiche conservativeArcheologia, uomo e territorio, 17: 43-57

De Carolis, E. 2007. Il mobile a Pompei ed Ercolano: letti, tavoli, sedie e armadi: contributo alla tipologia dei mobili della prima età imperiale (No. 151). Rome: Bretschneider.

De Vos, M. 1980. L'egittomania in pitture e mosaici romano-campani della prima età imperiale: testo italiano di Arnold de Vos (Vol. 84). Brill.

Drerup, H. 1980 “Totenmaske und Ahnenbild bei den Römern.” Mitteilungen des Deutschen Archäologischen Instituts, Römische Abteilung 87: 81–129.

.

Engemann, J. 1967. Architekturdarstellungen des frühen zweiten Stils. Illusionistische römische Wandmalerei der ersten Phase und ihre Vorbilder in der realen Architektur. Heidelberg

 

Flory, M. B. 1995. The symbolism of laurel in cameo portraits of Livia. Memoirs of the American Academy in Rome40, 43-68.

Flower, H. I. 2017. The Dancing Lares and the Serpent in the Garden: Religion at the Roman Street Corner. Princeton University Press.

Flower, H.I. 1996. Ancestor masks and aristocratic power in Roman culture. Oxford University Press.

 

Gagetti, E. 2016. La Turchese Marborough: una gemma problematica. Slavazzi, F., Torre, C. (eds.). Intorno a Tiberio 1. Archeologia, cultura e letteratura del Principe e della sua epoca (Vol. 2). Florence, 29-45.

Ganz, D, and Neumer, S. 2013. Peripatetisches Sehen in den Bildkulturen der Vormoderne. München, Wilhelm Fink Verlag

Ganz, D. and Thürlemann, F. 2010. Das Bild im Plural. Mehrteilige Bildformen zwischen Mittelalter und Gegenwart. Dietrich Reimer Verlag, Berlin

 

 

Gasparini, V. 2010. La “Palaestra” d'Herculanum: un sanctuaire d'Isis et de la" Mater Deum". Pallas: 229-264.

Giacobello, F., 2011. Testimonianze del culto dei Lari dall'area vesuviana: significato e nuove interpretazioni, in Bassani M., Ghedini F. (eds.), Religionem significare. Aspetti storico-religiosi, strutturali, iconografici e materiali dei sacra privata. Atti dell’incontro di studi (Padova, 8-9 giugno 2009). Antenor Quaderni 19, Rome: 79-89.

 

Gilchrist, R., Gender and Archaeology, contesting the past. London, Routledge, 1999   ISBN 0-415-21599-4

Gough, M. Constructivism Disoriented: El Lissitky’s Dresden and Hannover Demonstrationsräume in  Perloff, N. and Reed, B. (editors) 2003. Situationg El Lissitzky: Vitebsk, Berlin, Moscow. Los Angeles

Grahame, M. 1997. “Public and Private in the Roman House: the Spatial Order of the Casa

del Fauno.” In Domestic Space in the Roman World. Pompeii and Beyond, edited by R.

Laurence and A. Wallace-Hadrill. JRA Suppl. 22: 137-164.

 

Haan, N. de. 1993. "Dekoration und Funktion in den Privatbäder von Pompeji und Herkulaneum." In Functional and Spatial Analysis of Wall Painting, edited by E. M. Moorman, 34-37. Leiden.

Harrison, R. 2012. Heritage: critical approaches. London: Routledge.

 

Kleiner, D. E. E., and S. B. Matheson. 2000. I Claudia II: Women in Roman Art and Society.

Leach, E.W. 2004. The Social Life of Painting in Ancient Rome and on the Bay of Naples.

Cambridge.

Krzyszowska A. 2002. Les cultes privés à Pompei, Wroclaw, Université de Wroclaw.

 

Kwon, M. 2004. One place after another: site-specific art and locational identity. Cambridge, Mass.; London: MIT.

 

Laurence, R., and A. Wallace-Hadrill, eds. 1997. Domestic Space in the Roman World: Pompeii and Beyond. Portsmouth, RI.

Laurence, R., and D. J. Newsome, eds. 2011. Rome, Ostia, and Pompeii: Movement and Space.

Kleiner, D. E. E., and S. B. Matheson. 1996. I Claudia: Women in Ancient Rome. New Haven

and Austin.

Ling, R. 1991. Roman Painting. Cambridge.

 

Mau, A. 1882. Geschichte der decorativen Wandmalerei in Pompeji. Berlin.

Maiuri, A. 1958. Ercolano: i nuovi scavi (1927-1958) (Vol. 1). Istituto poligrafico dello Stato, Libreria della Stato: 407-420.

 

McManus, P.M., Archaeological Displays and The Public, London, Archetype Publications Ltd., 2000 (1996 first edition), ISBN: 1-873132-67-0

 

Noto, E. 2003. “I Criptoportici.In Subterraneae Domus. Ambienti residenziali e di servizio

nell’edilizia private romana, edited by P. Basso and F. Ghedini, 303-337. Verona.

Notz, A. and Obrist, H.-U.. 2007. Merz world: processing the complicated order. Zurich: JRP Ringier.

 

 

O’Sullivan, T. 2006. “The Mind in Motion: Walking and Metaphorical Travel in the Roman

Villa,” ClPh

 

Pappalardo, U. 2009. The Splendor of Roman Wallpainting. Los Angeles.

Perloff, N. and Reed, B. (editors) 2003. Situationg El Lissitzky: Vitebsk, Berlin, Moscow. Los Angeles

Pesando, F. 2002. “House of the Cryptoporticus and of the Ilion Sanctuary.” In Pompeii, edited by F. Coarelli, translated by P.A. Cockram, 256-261. New York.

Pollini, J. 2007. Ritualizing death in Republican Rome: memory, religion, class struggle, and the wax ancestral mask tradition’s origin and influence on veristic portraiture. Performing Death. Social Analyses of Funerary Traditions in the Ancient Near East and Mediterranean, pp.237-285.

 

Renfrew, C., Gosden, C., DeMarrais, E., Substance, Memory, Display. Archaeology and Art. Cambridge, McDonald Institute for Archaeological Research, 2004   ISBN: 1-902937-24-4

Roelstraete, D. 2013. The Way of the Shovel. Chicago Illinois: The University of Chicago Press.

Rugg, J., Exploring Site-Specific Art. Issues of Space and Internationalism, London, I.B.Taurus, 2010  ISBN 978 1 84885 064 4

 

Sena Chiesa, G. 2004. L’alloro di Livia. Studi di archeologia in onore di Gustavo Traversari.II, Rome, 791-8

Schefold, K. 1957. Die Wände Pompejis. Topographisches Verzeichnis der Bildmotive. Berlin.

Schefold, K. 1975. “Der zweite Stil als Zeugnis alexandrinischer Architektur.” In Neue

Forschungen in Pompeji. Edited by B. Andrae and H. Kyrieleis, 53-59. Recklinghausen

Sofroniew, A. 2016. Household Gods: Private Devotion in Ancient Greece and Rome. Getty Publications.

Swift, E., Style and function in Roman decoration: living with objects and interiors. Farnham, Ashgate Publishing Limited, 2009   ISBN 978-0-7546-6563-2

 

Talbert, R., and K. Brodersen, eds. 2004. Space in the Roman World. Its Perception and

Presentation. Münster.

Tammisto, A. 1997. Birds in Mosaics:

Torelli M. 2001. La preistoria dei Lares, in Bassani M., Ghedini F. (eds.), Religionem significare. Aspetti storico-religiosi, strutturali, iconografici e materiali dei sacra privata. Atti dell’incontro di studi (Padova, 8-9 giugno 2009). Antenor Quaderni 19, Rome: 41- 55

Tran, Vincent Tam Tinh, and Yvette Labrecque. Isis lactans: corpus des monuments greco-romains d'Isis allaitant Harpocrate. Vol. 37. Brill, 1973.

Tybout, R. A. 1993. “Malerei und Raumfunktion im zweiten Stil.” In functional and Spatial

Analysis of Wall Painting. Proceedings of the Fifth International Cingress on Ancient

Wall Painting. Amsterdam, 8-12 September 1992. Edited by E. M. Moormann, 38-50. Leiden.

 

Van Andringa W. 2009. Quotidien des dieux et des hommes. La vie religieuse dans les cités du Vésuve à l’ époque romaine. Rome, École française de Rome

Vinci, M. 2014, Origini e sviluppo dell’iconografia dei Lari: Lari domestici e Lari compitaliMediterranean Archaeology: 91-98.

 

Wallace-Hadrill, A. 1988. "The Social Structure of the Roman House," BSR 56: 43-97

Wallace-Hadrill, A., Houses and Society in Pompeii and Herculaneum, New Jersey, Princeton University Press, 1994  ISBN 0-691-06987-5

Wells Raabe, A., 2013. Image, space and social ritual: The second style decorations of the House of the Cryptoporticus at Pompeii’, dissertation, Chapel Hill

 

Zanker, P. 1979. "Die Villa als Vorbild des späten pompejanische Wohngeschmacks." JDAI 94:460-523.

Zanker, P. 1990. The Power of Images in the Age of Augustus. Munich.

Zanker, P. 1998a. Pompeii: Public and Private Life. Translated by D. B. Scheider. Cambridge,

Mass.

Zanker, P. 1998b. Eine Kunst für die Sinne: zur Bilderwelt des Dionysos und der Aphrodite.

Zarmakoupi, M. 2011. “Porticus and Cryptoporticus in Luxury Villa Architecture.” In Pompeii: Art, Industry, and Infrastructure. Edited by E. Poehler, M. Flohr, and K. Cole, 50-61: Oxford.