3.3 How Do You Sing a Choṭā Khayāl?

Audio Example 3.3.1: Rāg Bhairav, choā khayāl

Audio Example 3.3.2: Rāg Bhairav, sthāī

Audio Example 3.3.3: Rāg Bhairav, antarā (with lead in) and return to sthāī

Audio Example 3.3.4: Rāg Bhairav: gamak inflections

Audio Example 3.3.5: Rāg Bhairav: sargam tāns

Audio Example 3.3.6: Rāg Bhairav, choṭā khayāl: concluding tihāī

Audio Example 3.3.7: Rāg Brindābanī Sāraṅg, sthāī and antarā

Audio Example 3.3.8: Rāg Bhīmpalāsī, choā khayāl

Audio Example 3.3.9: Rāg Yaman, sthāī: first-line accumulation

Audio Example 3.3.10: Rāg Toḍī: first-line accumulation

Audio Example 3.3.11: Rāg Basant: repetition–accumulation

Audio Example 3.3.12: Rāg Multānī: bol ālāp

Audio Example 3.3.13: Rāg Megh: bol ālāp/vistār

Audio Example 3.3.14: Rāg Yaman: antarā and bol ālāp, with lead-in

Audio Example 3.3.15: Rāg Bihāg: sargam tāns

Audio Example 3.3.16: Rāg Pūriyā Dhanāśrī: sargam tāns in a developmental context

Audio Example 3.3.17: Ākār tāns in a developmental context

Audio Example 3.3.18: Four-note-per-mātrā ākār tāns

Audio Example 3.3.19: Bol tāns

Audio Example 3.3.20: Rāg Mālkauns: gamak tāns

Audio Example 3.3.21: Rāg Multānī: behlāvā

Audio Example 3.3.22: Rāg Kedār: lay bāṇṭ and laykārī

Audio Example 3.3.23: Lay increase

Audio Example 3.3.24: Rāg Pūriyā Dhanāśrī: opening phase (sthāī in extended mode)

Audio Example 3.3.25: Rāg Pūriyā Dhanāśrī: beginning of elaboration phase (antarā in extended mode)