2019 participants
Mohammed Ahmar Ali
In this research project, I intend to highlight the sociological value of trap music by looking at the origins of trap and its ability to reflect the views of people within modern-day society. To take a deeper look at this I will be looking at trap music’s representation of sexuality, race, class and gender, as well as delving into various socio-political backdrops by looking at a plethora of news stories revolving around trap and how trap is viewed by those outside its sphere of influence.
Additionally, I will be conducting a thematic analysis on a selection of tracks that exemplify the sociological value of trap to aid me in in presenting the role Trap music has in deciphering the social realities of minority ethnic groups. Along with its hidden implications within contemporary multicultural western society regarding various social forces, institutions and contexts.
Funding Source: Newcastle University
Project supervisor: Dr Jan Dobbernack