If you would like to suggest corrections and additions, please contact Magnus Williamson.
With support from the International Centre for Music Studies, Newcastle University.
More extended descriptions of these sources can be found in Williamson 2010, and in various secondary sources (for instance, Bent/Bent 1969, Sandon 1976, Fenlon 1982, Woods 1984, and Sandon 1993). Some manuscripts await detailed study. New descriptions for these have been prepared for the project Tudor Partbooks: the Manuscript Legacies of John Sadler, John Baldwin and their Antecedents which, funded by the Arts & Humanities Research Council, ran from 2014 until 2017; the same project also funded the creation of DIAMM images for a number of sixteenth-century sources.
Concordances post-dating the sixteenth century, such as the eighteenth-century transcriptions of John Travers and Henry Needler, have been omitted from this list.
If you would like to suggest corrections and additions, please contact Magnus Williamson.
With support from the International Centre for Music Studies, Newcastle University.