FOREIGN INVESTMENT

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LOVERS OF A REVOLUTION - ,

~ 1~

PROLOG
~ . -
SINGLE~ SHOTS - A LOVLEY POLITICAL STORY - ~

PICK UP TRUCKS FLYING PARTY FLAGS Q~~b&0} ~

it should be

a play in three pARTS, AT L:EAST THREE. PERHAP~TWO. IT SHOULD ~

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"
IT SHOULD HAVE C~RACTERS TOO. LETS COLLECT CHARACTERS. YES~ ~ IT ~ it should have a prologue and epilogue. and music too. yes, ~ . 0. , V~~
music. and there is a young boy... C .
k ~a ~ ~ ... m
~~~ing the papers. we don't know yet how long it'll be. sorry. this doesn't count 1 CUT-, .

this will be a~ rather obscure script. ~i am afraid). just don't know how to find all these characters on this ancient ~ ~
typing machine. r .c.t .5'1 , ) ~i' m still rehearsing.) who has ever been imployed in a royal house ho1d. in ITALY, fiat is in crises.
Ccensored ) ~i'm looking for you reading the URDU pap~er. please.) 1030 shot in scotland in one year. and the toll is raising. character one: a giant cigarette.
.
character two: a w~Ndow who cradles a son she (or he7) ne~r
~ ~
saw.
charcter three: ~french speaking... didn' get it)
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what used to be about blood and passion... is now about gett ing paid and looking out for number one. dewhile: a w~hhunt of young muslim man is going on in the e.
states. some of these ~n are said to be of the tsleepers ~ cellt waiting for an oportune moment to strike.


- 2 -

~ILENCE ~ on~~ sound of turning pages.~ ice on the target ~ ey~es on a~ther#arget a smile over the face of character one. terror on the face of charcter two.as far as the~ love..plot goes: here is a love: he fell in ~ love with her on the bases that she was just a normal person in the limelight :~h~rcter no'~: NIRVANA character five: pharaoh ~ -
(p-h-a-r-a-o-h ~ the butler - meanwhile - showed little emotion while his ~ trial went serious.
chaRACTER SIX:
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innocence.
THE SUN IS UNBEATABLE.
another character is (definitely) hands of cars and young girls. THE LIGHT IS A LITTLE TOO HUARCH.
side7 a moment od durkness over the earth and the stage....... the light is being reset.

a bishop wh~ washes his hands in water~nd
, . . .

L9
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