General Editors

Susan Hayward (Exeter)
Phil Powrie (Newcastle)

Assistant Editors

Will Higbee (Exeter)
Sarah Leahy (Newcastle)

Editorial Board

Julia Dobson (Sheffield)
Elizabeth Ezra (Stirling)
Sue Harris (Queen Mary)
Kate Ince (Birmingham)
Jeff Kline (Boston)
Michèle Lagny (Paris III)
Geneviève Sellier (Caen)
Carrie Tarr (Kingston)
Michael Witt (Roehampton)

Advisory Board

Richard Abel (Michigan)
Dudley Andrew (Harvard)
Guy Austin (Sheffield)
Laurent Creton (Paris III)
Colin Crisp
Jean-Pierre Jeancolas
Anne Jackel (West of England)
Florence Martin (Goucher)
Charles O'Brien (Carleton)
Keith Reader (Glasgow)
Alison Smith (Liverpool)
Michael Temple (Birkbeck)
Ginette Vincendeau (Kings)
James Williams (Royal Holloway, London)
Emma Wilson (Cambridge)

Journal Contents vols 7-8

For abstracts go to the Download Area.

7:1 (2007)

• 5-17 Libby Saxton, Secrets and revelations: off-screen space in Michael Haneke's Caché (2005)
• 19-30 Kate Taylor, Infection, postcolonialism and somatechnics in Claire Denis's Trouble Every Day (2002)
• 31-42 Joseph Mai, 'New(er) stories': narration and de-figuration in Robert Bresson's Mouchette (1967)
• 43-55 John Orr, Out of noir: Seberg-Preminger-Godard-Garrel
• 57-68 Vinay Swamy, Marivaux in the suburbs: reframing language in Kechiche’s L’Esquive (2003)

7:2 (2007)

• 79-91 Will Higbee, Beyond the (trans-)national: towards a cinema of transvergence in post-colonial and diasporic Francophone cinema(s)
• 93-106 William Brown, Sabotage or espionage? Transvergence in the works of Luc Besson
• 107-117 Michael Goddard, East-West European Superpositions as Transvergent Cinema: Greg Zglinski’s Tout un hiver sans feu (2005)
• 119-129 Florence Martin, Transvergence and cultural detours: Nadia El Fani’s Bedwin Hacker (2002)
• 131-141 Giuseppina Mecchia, The Children Are Still Watching Us, Caché/Hidden in the Folds of Time
• 143-155 Nick Rees-Roberts,, Down and Out: Immigrant Poverty and Queer Sexuality in Sébastien Lifshitz’s Wild Side (2004)
• 157-168 Todd W.Reeser, Transsexuality and the Disruption of Time in Sébastien Lifshitz’s Wild Side

7:3 (2007)

• 179-189 Julia Dobson, Jacques Audiard and the Filial Challenge
• 191-205 Julianne Pidduck, A Cinema of Collisions: Patrice Chéreau and the Homosocial
• 207-218 Fiona Handyside, Melodrama and Ethics in François Ozon’s Gouttes d’eau sur pierres brûlantes/Water Drops on Burning Rocks
• 219-230 Joe Hardwick, Fallen Angels and Flawed Saviours: Marginality and Exclusion in La Vie de Jésus and La Vie rêvée des anges
• 231-241 Joseph McGonagle, The End of an Era: Marseilles at the Millennium in Robert Guédiguian’s La Ville est tranquille (2001)
• 243-258 John Savage, L’Amour Fou: Nationalism, Patriarchy and the Nuptial Farce in L’Âge d’or and Un chapeau de paille d’Italie